Grapes of Death



Color, 1976, 98 mins. 19 secs.
Directed by Rino Di Silvestro
Starring Annik Borel, Howard Ross, Dagmar Lassander, Tino Carraro, Elio Zamuto, Frederick Stafford, Osvaldo Ruggieri
Treasured Films (Blu-ray) (UK RB HD), Raro Video (Blu-ray) (US R0 HD), Media Blasters (DVD) (US R0 NTSC) / WS (1.85:1) (16:9)


One of the craziest Werewolf WomanItalian horror films of the 1970s (which is really saying something), Werewolf Woman Werewolf Woman(originally La lupa mannara and also known by other titles like The Legend of the Wolfwoman) has always had something of an uphill battle with genre fans. That's mainly because it isn't really a werewolf film in any traditional sense at all, apart from a couple of nightmare sequences; instead this takes the Martin tactic of presenting a protagonist whose mental instability causes them to think they're most likely a monster. That's pretty much where the similarities end though, with this one earning a notorious place in the hearts of genre fans primarily based on two factors: its surprisingly graphic nudity and the looniest English dub job this side of Pieces, A Blade in the Dark, and Bloody Moon. This is the only real horror movie from writer-director Rino Di Silvestro, who followed it with the infamous Deported Women of the SS Special Section and a handful of other sexploitation titles. However, even this film by itself would be enough to cement his place in the Italian sleaze pantheon.

Never really recovered from the trauma of being raped at 15, Daniela (Borel, Di Silvestro's girlfriend at the time) has been taken to her family's country estate by her concerned father, Count Neseri (Carraro). In her sleep, Daniela is tormented by visions of her most infamous ancestor, a supposed werewolf, naked and covered in fur as she stalks and kills men at night in the woods before being captured and executed by villagers in the 1700s. Werewolf WomanThings get much worse when Daniela's sister, Elena (Lassander), who's studying nuclear physics in America at Berkeley, comes to visit with her new husband, Fabian (Ruggieri). The icy and remote Daniela turns maniacal when she spies the couple Werewolf Womanmaking love that first night, running off to the forest where Fabian seems more than willing to reciprocate her advances as well. Instead Daniela tears into Fabian's throat and ends up under medical supervision, strapped to a bed with welts all over her body. From there it's a succession of freak outs, escapes, attempted sexual assaults, and possible salvation in the arms of a stunt man, Luca (Ross). Meanwhile her shrink (Zamuto) and a concerned police inspector (Topaz's Stafford) try to unravel the growing string of murders for which Daniela seems to be responsible.

Though it inevitably loses some steam whenever the cop and doctor stand around theorizing for minutes on end, Werewolf Woman is a mostly enjoyable and trashy good time with a completely uninhibited Borel stealing every moment she's on the screen. A striking, freaky score by Lallo Gori is a big plus as well, and the confounding tonal shifts will definitely keep you on your toes as the story throttles through romantic melodrama, psychosexual character study, rape-revenge savagery, and gothic spookiness. Given how heavily it leans into exploitation, the film found plenty of international takers at the time including several runs through the U.S. under different titles from companies like Dimension Pictures. A VHS from Mogul was reported as Terror of the She-Wolf but proved to be a mystery beyond that, with other tape editions floating around in Europe over the years. Media Blasters released a DVD in 2003 under its Shriek Show imprint that caused an immediate outcry due to its severe cropped framing that omitted all of the more explicit nudity, with a corrected option issued a little over a year later. A Blu-ray eventually materialized from Raro Video in 2014, Werewolf Womanlooking Werewolf Womanpretty decent and featuring English and Italian DTS-HD MA 2.0 mono options with English subtitles. Also included is an interesting video interview with Rino di Silvestro (19m23s) about his lofty intentions with the film, the creation of the screenplay, and his attempts to take a new angle on werewolf lore via a female protagonist.

In 2026, Treasured Films brought the film to U.K. Blu-ray featuring the usual limited edition packaging with a rigid slipcase with Justin Coffee art, a booklet with solid new essays by Amanda Reyes ("The Werewolf Woman Spits on Your Grave: A Brief History of the Supernatural Rape-Revenge Subgenre"), Andrew Marshall-Roberts ("A Case of Sexual Phobia: The Sexploitation Surrounding Werewolf Woman"), and Darrell Buxton ("The Howls Are Not What They Seem: The Shape-Shifting Seventies"), and six artcards; a webstore exclusive came with a "Hairy Moon" magnet and fold-out poster but sold out quickly. The new 2K scan is quite a massive upgrade here, featuring much more image info, deeper blacks, better color timing, and finer detail; in motion there's a lot more depth here along with nice, natural film grain. Both the English and Italian tracks are here as DTS-HD MA 2.0 mono options, with a disclaimer apologizing for flaws in the latter; it still sounds okay though all things considered. Most of the actors are speaking Italian here so that option is classier, but it's also far less absurd than the English dub (the language Borel and Stafford were speaking, even if it isn't their voices you're hearing). The English subtitles are okay but have some weird quirks, including some stilted translations and using words like "plenilunio" instead of "full moon."

Two new audio commentaries are included, the first with Kim Newman and David Flint and the second with Eugenio Ercolani and Troy Howarth. Both are great listening and don't really overlap much apart from the inevitable cast bios of people like Stafford; you'll get plenty of material here Werewolf Womanincluding comparisons to Cat People and I Spit on Your Grave, the director's background, the familiar dubbing actors, the unusual adoption of werewolf conventions, the odd disappearance of Werewolf Womantwo major characters from the story long before the ending, and much more. The Di Silvestro interview is carried over here, with five new featurettes added starting with "Moonchild" (42m28s) with Stephen Thrower surveying the film's home video and TV history, its production history, the various censorship hassles and BBFC issues, the dubbing supervision, and the joys of the "Linda Blair on steroids" central performance. Then Ross appears for a new video interview (14m45s) and a Q&A at Weird Worcester in 2025 (41m5s) talking with Ercolani about his early days in peplums, his rationale for choosing roles, his happiness at being offered this film, working with Lassander, his apprehension around Di Silvestro's pet iguana (which has a cameo early in the film), his key roles, and much more. Be sure to stick around to the very end of the video interview, too, and the Q&A even opens with a bit of audience serenading. Then "The Forbidden Films of a Lady Under Suspicion" (19m3s) by Ercolani and Andrea Meroni surveys Lassander's career starting at the ascent of sex-themed films in Italy in the late '60s and featuring saucy milestones like The Laughing Woman, The Forbidden Photos of a Lady Above Suspicion, and Black Emmanuelle among many others including later horrors for Lucio Fulci. In "Supernatural Women" (29m24s), Rachael Nisbet studies the long, fascinating strain of witches, possessions, sexual manias, and other genre elements present in female characters throughout horror fiction over the years (with Italian gothic cinema really jumping on board starting with Black Sunday), including martyred or tragic ones like we have in this film with religion often going with it hand in hand. Extra points for calling out Marco Bellocchio's great The Witch's Sabbath, which really needs a decent edition one of these days. Also included are a restoration comparison featurette (47s), a 9m13s image gallery, and the English trailer.

Treasured Films (Blu-ray)

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Raro Video (Blu-ray)

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Reviewed on June 6, 2026