
Color, 1971, 100 mins. 6 secs.
Directed by Sergio Martino
Starring Edwige Fenech, George Hilton, Alberto de Mendoza, Ivan Rassimov, Christina Airoldi
Severin Films (Blu-ray) (R0 HD), Shameless Screen Entertainment (Blu-ray & DVD) (UK R0 HD/PAL), FilmArt (Blu-ray) (Germany RB HD), NoShame, Mya Communication (DVD) (US R0 NTSC), Media Target (Germany R2 PAL), Dania Film (Italy R2 PAL) / WS (2.35:1) (16:9)
Released
around the same time as the inauguration of Dario Argento's pivotal "animal trilogy" of thrillers, The Strange Vice of Mrs. Wardh marked the thriller debut of director Sergio Martino, a genre-hopping talent eager to explore the internationally popular giallo. He found his perfect leading lady in the form of Algeria-born Edwige Fenech, a shapely beauty just seen in Mario Bava's eccentric Five Dolls for an August Moon. Since she was dating Sergio's producer brother Luciano, the director and star reunited for two more gialli as well as a series of sexy comedies. Markedly different from the works of Argento and Bava, Martino's thrillers feature bizarre, fractured storylines in which a variety of characters collide with multiple villains providing a host of disorienting red herrings, all shot in sumptuous scope. Though not as baroque as some of its successors, Strange Vice still holds up nicely as a daring and surprisingly bleak shocker that set the pace for several years to come.
and winds up
flirting with George (Hilton), the cousin of her best friend Carol (Airoldi). Soon Julie and George become lovers, prompting a blackmail scheme and a shocking murder that send Julie fleeing for her life. However, no matter how far she runs, she soon learns that death will be following her everywhere.
anamorphic transfer from the original negative was a revelation at the time compared to its predecessors, with the numerous night scenes now perfectly legible. However, it's from an
unconverted PAL source (and interlaced) with significant motion blurring and an accelerated running time of 96m24s. The soundtrack can be played in either the English dub (with a few weird audio gaffes where footage was substituted) or the superior Italian dub; this is a rare giallo that was actually shot at least predominantly in Italian with much of the dialogue in sync, so that soundtrack with English subtitles is really the way to go. (Hilton and a handful of supporting actors are speaking in English, but thThe biggest extra here is the solid 31m2s featurette, "Dark Fears Behind the Door," in which both Martinos, Hilton, writer Ernesto Gastaldi, and the still-gorgeous Fenech talk about making the film, in Italian with English subtitles. It's a good piece with various stories about the financing for the film, the shooting locations, and the filmmaking techniques Martino used to elicit terrified performances from the cast. Also included are the original European trailer (in Italian, no subs), a poster and still gallery, footage of Martino introducing a screening of the film's restored print in Venice, and an illustrated booklet with bios for the major players. A 2010 reissue after NoShame's demise from Mya (as Blade of the Ripper) was more dubious, taken from the same master with identical language options and only the Italian trailer and a gallery as extras.
fun fact subtitle option by Justin Harris that basically works as a sort of text commentary through the film; it's quite an entertaining and informative way to watch the film guaranteed to
deliver at least a few dozen things you didn't know.
DVD) but definitely on the more modest side of Martino releases in HD to date. (Screen grabs in the body
of this review are from the Severin disc; comparison ones can be seen below.) A new audio commentary by All the Colors of Sergio Martino author Kat Ellinger is a companion piece of sorts to her track for Torso with a great deal of focus on contextualizing the larger framework of the giallo and the work of Martino, Gastaldi, and Orlandi; the feature itself is more of a part of the larger whole including thoughts on the unique nature of Julie's character and connections to earlier films like Midnight Lace. In "Of Vice and Virtue" (43m21s), Martino talks about his entry into the giallo craze, the loosening censorship in Italy at the time, the two real-life crime case and preceding thrillers that played a role in the script, the rationale behind the international location choices, and his thoughts on his other gialli and how they were received at the time. In the warmest moment, he also touches on Fenech's life after her film career as a "happy grandma" in Portugal. In "Cold as Ice" (22ms), Gastaldi does his usual rundown of how he would've preferred to dabble in other genres (like sci-fi), the mechanics of setting up suspense sequences, and his work on genre films like The Horrible Dr. Hichcock. Then "Vienna Vice" (19m1s) combines interviews with Hilton and film historian Antonio Bruschini covering the Martino brothers, the transition of the giallo in the early '70s away from the glamorous high society thrillers by the likes of Umberto Lenzi (which Burschini theorizes is closer to how this film was originally written), and the cultural state of Vienna at the time of shooting. "The NoShame Files" (23m43s) compiles just the Fenech interview footage conducted for the DVD release, and it's fun to see the spotlight go strictly on her in this case as she chats about her entire career starting off at the age of 18. Also included are a brief video intro by Hilton (24s) and an SD Italian trailer. (Note that the U.S. trailer as Next! can be seen on the first volume of Trailer Trauma.) The first 3,000 units also come with a CD soundtrack which appears to be identical to the "slightly remastered" version issued by Quartet Records.SEVERIN (Blu-ray)
SHAMELESS (Blu-ray)
NOSHAME (DVD)