

Color, 1971, 80/77m.
Directed by Jess Franco
Starring Soledad Miranda, Fred Williams, Paul Muller, Howard Vernon, Ewa Strömberg, Horst Tappert, Jess Franco
Severin (Blu-ray) (US R0 HD), ELEA (Blu-ray & DVD) (Germany RB/R2 HD/PAL) / WS (1.66:1) (16:9), Second Sight (UK R2 PAL), Image (US R1 NTSC), Umbrella (Australia R0 PAL) / WS (1.78:1) (16:9), Synapse (US R1 NTSC) / WS (1.66:1)
Returning once again for inspiration to the plotline of Cornell Woolrich's female-driven revenge thriller The Bride Wore Black,
which had already at least partially inspired his Venus in Furs and The Diabolical Dr. Z, Jess Franco spins his most erotic take on the concept of a beautiful woman avenging a death by picking off the guilty parties one by one. The late cult cinema goddess Soledad Miranda (Vampyros Lesbos) returned here for her penultimate collaboration with Franco before her untimely death, and her presence ignites what could have been another routine potboiler into a hallucinatory descent into erotic insanity.
plotline. Miranda's erotic presence once again drives the film along even when the plot doesn't seem to be going anywhere, and her systematic seduction/murders are all memorable set pieces complete with plentiful nudity. (Unfortunately this also requires Vernon to get naked, so viewer beware.) German musicians Manfred
Hubler and Siegfried Schwab (Vampyros Lesbos, The Devil Came from Akasava) return for another mind-bending assemblage of funky grooves on the soundtrack, while the Mediterranean locales and pop art set design make this early '70s eye candy of the first order. Not a film for everyone, of course, but then Franco fans already know that.
looks terrific from a far more pristine source than any other US or UK release. The new HD transfer looks so vibrant and rich that the film takes on a far more enjoyable dimension than before, and even better, it clocks in almost three minutes longer with an extended cut previously available only on that aforementioned German release (which didn't have subs). The real beneficiary here is Vernon's death scene, which now contains a cringe-inducing bit of genital mutilation that catapults the film to a whole new level of extreme horror.
The German DTS-HD mono audio (with optional English subtitles) is very satisfying throughout.
He feels like this is a more hasty project than its companion piece, which is true, but it's a charmingly macabre and twisted piece of entertainment all the same. A six-minute interview with Muller (in Italian with English subtitles, oddly enough) is a humorous six-minute piece about his Franco excursions including topics like cannibal films, improvising without a script, and working on and off whenever he was available with the director for eight films.