 

 
Color, 1985, 86m.
Directed by Henri Sala
Starring Debbie Laster, Dale Midkiff, Debra Hunter, Lori Lewis, Preston Maybank, Wellington Meffert, Kim Dossin
Vinegar Syndrome (Blu-ray & DVD) (US R0 HD/NTSC) / WS (1.78:1) (16:9), Troma (US R0 NTSC)

 The English language hasn't yet developed words adequate enough to describe the baffling cinematic frenzy that is Nightmare Weekend, but let's give it a try. Shot in Ocala, Florida with French and British money under the command of UK sexploitation vet Bachoo Sen (and a French hardcore porn director), this was marketed as a horror film but only delivers the violent goods in tiny fits and starts. What it delivers in between is an ocean of nonsensical dialogue, lengthy softcore sex scenes, and the world's weirdest ongoing puppet show.
The English language hasn't yet developed words adequate enough to describe the baffling cinematic frenzy that is Nightmare Weekend, but let's give it a try. Shot in Ocala, Florida with French and British money under the command of UK sexploitation vet Bachoo Sen (and a French hardcore porn director), this was marketed as a horror film but only delivers the violent goods in tiny fits and starts. What it delivers in between is an ocean of nonsensical dialogue, lengthy softcore sex scenes, and the world's weirdest ongoing puppet show. to '80s synth music. Of course, it turns out the experiments actually turn their human subjects into
to '80s synth music. Of course, it turns out the experiments actually turn their human subjects into  murderous fiends, which leads to a gory finale.
murderous fiends, which leads to a gory finale. and the audio is much more intelligible than before as well despite the fact that the actors are all awkwardly dubbed. (In a nice touch, optional
and the audio is much more intelligible than before as well despite the fact that the actors are all awkwardly dubbed. (In a nice touch, optional  English subtitles are provided as well). Of course, a title like this really needs some supplements, and you'll get that with a pair of featurettes in addition to the theatrical trailer and a 7-minute sampling of the alternate R-rated footage. In "Thank God It's Monday," makeup artist Dean Gates (who went on to films like Maximum Overdrive, Day of the Dead, and Phantasm III) gets a very entertaining, informative 23-minute chat that pulls no punches about the nature of the film itself and talks about how he got into the business via Miami's film production industry assisting Tom Savini on Eyes of a Stranger. He also goes into the insane language barriers on the set (with only Sala marginally speaking English among the French crew) and the reason he wound up ad libbing a role on screen with on-line producer and buddy Marc Gottlieb as a pair of gas station attendants. He's full of other stories, too, including a great one about an exploding head gag and some chicken livers that didn't go off as well as planned. Then Gottlieb gets an equally funny 13-minute featurette, "Killer Weekend," going into more detail about the nonsensical scripting process and the bizarre evolution of the film from 1983 onward through reshoots in 1985. You'll also hear some odd connections to Duran Duran and Chuck Vincent, so it's basically essential viewing from start to finish. In short, your brain will be completely pureed by the end of this amazing disc.
English subtitles are provided as well). Of course, a title like this really needs some supplements, and you'll get that with a pair of featurettes in addition to the theatrical trailer and a 7-minute sampling of the alternate R-rated footage. In "Thank God It's Monday," makeup artist Dean Gates (who went on to films like Maximum Overdrive, Day of the Dead, and Phantasm III) gets a very entertaining, informative 23-minute chat that pulls no punches about the nature of the film itself and talks about how he got into the business via Miami's film production industry assisting Tom Savini on Eyes of a Stranger. He also goes into the insane language barriers on the set (with only Sala marginally speaking English among the French crew) and the reason he wound up ad libbing a role on screen with on-line producer and buddy Marc Gottlieb as a pair of gas station attendants. He's full of other stories, too, including a great one about an exploding head gag and some chicken livers that didn't go off as well as planned. Then Gottlieb gets an equally funny 13-minute featurette, "Killer Weekend," going into more detail about the nonsensical scripting process and the bizarre evolution of the film from 1983 onward through reshoots in 1985. You'll also hear some odd connections to Duran Duran and Chuck Vincent, so it's basically essential viewing from start to finish. In short, your brain will be completely pureed by the end of this amazing disc. 