Color, 1989, 103 mins. 19 secs.
Directed by Ann Turner
Starring Rebecca Smart, Nicholas Eadie, Victoria Longley, Mary-Anne Fahey
Second Run (Blu-ray & DVD) (UK R0 PAL) / WS (1.85:1) (16:9), Scorpion Releasing (DVD) (US R0 NTSC), Umbrella (Australia R0 PAL), Jam (Germany R2 PAL) / WS (1.75:1) (16:9)

After finding her grandmother dead at home one night, nine-year-old Celia Carmichael (Smart) has a little trouble dealing with Celiathe world around her. She wants to fill the void in her life by bring back gran and also Celiagetting a pet rabbit, the latter of which her parents manage to appease. Celia starts having disturbing dreams involving her dead grandmother at the window (shades of Salem's Lot) and slimy monsters, but real life proves to be even more disturbing when her family bans her from hanging out with the new neighbors, who apparently have communist sympathies. On top of that, the government is trying to prevent a major rabbit population issue and confiscating all pet rabbits for the local zoo, setting off a tragic series of events that might send Celia down a very dark rabbit hole of her own.

Set in suburban Melbourne in 1957, Celia paints a less-than-flattering portrayal of Australian culture at the time and makes for something more complex and unsettling than the basic "killer kids" scenario promised by the film's marketing in many countries when it was first released. In American in particular, the extendeThe Fantasistd title of Celia, Child of TCeliaerror seemed like an attempt to cash in on something like Children of the Corn, which is rather missing the point. This fits in far more snugly with the fascinating strain of child psychology thrillers running through international cinema from classics like Curse of the Cat People to more modern, subversive fare like Heavenly Creatures, Paperhouse, and the closest point of reference here, The Reflecting Skin.

Not surprisingly, the positioning of Celia as a straight horror film continued with its VHS release in America, while the first DVD out of the gate from Second Run in 2009 sold it more accurately as a dark art film and featured a new 13-minute interview with Turner (whose features since this included the early Russell Crowe vehicle Hammers Over the Anvil and the Susan Sarandon thriller Irresistible). Shortly after that came an Australian release from Umbrella, and its extras form the core of what was included for the film's American DVD debut from Scorpion Releasing in 2013.

The Scorpion disc features an anamorphic transfer framed at 1.75:1, which seems to open the framing up a bit from the more masked 1.85:1 as it would have been shown in theaters. The compositions work fine, Celiaand the Scorpion disc also marks the Celiafirst time the film has been available in its original film speed running 103 minutes instead of the sped-up 97 minutes of the previous PAL versions. Image quality is fine if limited by the drab and sometimes dark nature of the film; don't expect pristine HD quality here, but it's the equal of the international releases and much, much better than the American VHS version. Not surprisingly, this presented as part of Scorpion's Katarina's Nightmare Theater line, with hostess Katarina Leigh Waters kicking things off by chasing and attacking a stuffed bunny rabbit (cue the Night of the Lepus jokes here) and offering loads of trivia about the participants in the film. The extras from the Aussie release include a 1989 Sunday Show review of the film (7m5s) by Paul Thompson including a chat with the director, plus a 10m58s audio interview between Turner and critic David Stratton covering some of the cultural, political, and psychological undercurrents of the film. The short German-language trailer (probably prepared for the video release) is also included along with bonus trailers for The Monster Club, Grizzly, Day of the Animals, Death Ship, The Unseen, and The Survivor.

In 2021, Second Run gave the film its global Blu-ray debut as an expanded special edition along with a striking new 2K restoration by the National Film and Sound Archive of Australia. The uptick here is very obvious with deeper blacks, far finer detail, and richer colors; the framing adjusts slightly to 1.85:1, with no particular impact on the compositions one way or the other. The LPCM English 2.0 track (with optional SDH subtitles) is also in mint condition. The Celiaearlier UK DVD interview with Turner is ported over here, without PAL speedup and Celianow running 14m16s. However, you also get two substantial new video bonuses starting with "Celia's World" (61m23s), a very interesting documentary by Turner including interviews she conducted with children of 1950s Australian communist sympathizers. She also goes into memories of the real rabbit muster that inspired the story, as well as its reception and various attempts to read it as a feminist or child psychology tract. "There's Something About Celia" (17m39s) is a post-screening Q&A with author Alexandra Heller-Nicholas and Maria Lewis at the Australian Centre for Moving Image in Melbourne, discussing how they first encountered the film and how it stands apart from traditional genre readings while offering insight into a young female psyche. The disc closes out with a very hefty photo gallery including some great candid shots of the monsters in and out of costume, while the insert booklet comes with insightful essays by Michael Brooke and Joy Damousi (including additional bits on the arduous process of bringing the production to fruition) and the eerie folktale incorporated into the script, "The Hobyahs." This film (presumably from the same restoration) will also appear in the United States from Severin as part of its All The Haunts Be Ours: A Compendium Of Folk Horror set, paired up on a Blu-ray disc with Alison's Birthday along with a completely different slate of extras including a 40-minute Turner interview, a featurette with editor Ken Sallows, and a 1979 documentary about Australia's rabbit cull.

Second Run (Blu-ray)

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Scorpion Releasing (DVD)

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Updated review on November 3, 2021.