Color, 1973, 93m.
Directed by Jack Gold
Starring Elliott Gould, Trevor Howard, Joseph Bova, Edward Grover, James Noble
Scorpion (US R0 NTSC) / WS (1.78:1) (16:9)
American authorities have finally arranged for the return of one of their most valuable scientists, Lucas Martino (Bova), who was severely injured in a car crash staged by the Russians to apprehend him. When their prized possession is returned to them, however, the scientist is now concealed by a metallic body created to save his life-- and which completely obscures whether this man is indeed still Martino, an imposter, or a brainwashed wreck. Enter Sean Rogers (Gould), an expert spy analyst who must come up with foolproof ways to determine the identity and loyalties of this mysterious metal man, while the KGB Colonel (Howard) responsible for the entire situation might have his own secret agenda.
Spy films have often integrated sci-elements into their stories for commercial value, most famously with several James Bond titles like You Only Live Twice and Diamonds Are Forever. The tactic here is quite different, however, as the technological elements are used in service of a story trying to question the nature of man's sense of self and the actual definition of trust, among other heady ideas. Still a hot box office name after the success of M*A*S*H, Gould was in the middle of a truly special, experimental period in his career which also saw The Long Goodbye, The Touch, and Busting, among others; he's really in top form here, and stage actor Bova does an excellent job of creating his character behind a limited character design that could bring up some unfortunate assocations with Styx or Buck Rogers among viewers of a certain age. Speaking of pop culture, it's also fun seeing James Noble, aka the governor from TV's Benson, popping up here as an American general right after his role in 1776. Also effective is the moody score by John Cameron, who wrote this the same year as the immortal Psychomania and the very underrated Night Watch. (And no, producer Barry Levinson isn't that Barry Levinson.)
Considering it's only been available in terrible budget VHS versions with almost no TV play, it's gratifying to see a neglected little film like this getting the first-rate treatment. Scorpion's DVD features a new anamorphic transfer from the original negative and comes with a disclaimer about flaws in the original elements, which apparently must refer to a couple of exterior scenes marred by what appears to be either flawed labwork or a bad camera which results in a short but distracting fluttering effect. (Unfortunately, one of those scenes is right at the end of the movie!) It's not a big deal by any means, especially since this is apparently as perfect as it could look. Otherwise it's a very good job all around. Extras include a scene-specific Gould commentary (in which he offers some disconnected but interesting thoughts about his reasons for doing the film and memories of his co-stars), a full feature audio commentary with director Jack Gold (who also helmed Aces High and The Medusa Touch) moderated by Tony Sloman, and a 25-minute video interview with actor Edward Grover ("The Megaton Mind"). The latter two have a lot of interesting tidbits about Bova, who's really the star of the show even when he can't facially emote, and provide some good context for the setting and genesis of the film as well. A long reel of Scorpion trailers is also included with fare like Super Spook, Where the Boys Are '84, and much more, none of which will have much direct appeal to the target audience here. Definitely worth a look if you want something truly off the beaten path.