
British crime classic The Long Good Friday, director John Mackenzie
delivered a highly effective but severely underseen major studio thriller: Paramount's Unman, Wittering and Zigo, based on a successful TV, stage, and radio play by Giles Cooper featuring a striking concept that seems a little too plausible for comfort today. A prep school nightmare that would play well with other '70s stories of homicidal academia like Absolution and Child's Play, this superb adaptation goes a lot further than you'd expect for its 1971 GP rating (a sort of stronger predecessor to the current PG) and boasts a typically excellent lead performance by David Hemmings (Deep Red) in the middle of a British suspense streak between Fragment of Fear and Voices. For some reason (perhaps the unwieldy title), the film fell into obscurity very quickly, mentioned in film reference books but maddeningly difficult to see for decades unless you managed to catch an occasional TV airing (with Starz running it a handful of times in the '90s in the U.S.). A very aged SD master eventually turned up for commercial streaming, but a legit commercial home video release didn't materialize until 2023 with a Blu-ray from Arrow Video that's very much appreciated and overdue.
along the seaside. The headmaster (onetime Sherlock Holmes and two-time Fu Manchu actor Wilmer) helps get John and his wife, Silvia (Seymour), acclimated to the new position and living so close to the school itself in the middle of the
countryside. However, the students (whose last alphabetical member, Zigo, is always absent) prove to be an unruly bunch -- especially when they claim that they murdered their previous teacher, and John will meet the same fate unless he does their bidding. As the boys take outrageous advantage of the situation, John finds his complaints ignored by the powers that be and his pupils becoming even more dangerous than he could have anticipated.
that were updated each year,
his positive write-up claimed that the identity of the murderer in the film wasn't revealed until after the end credits. That isn't the case, so don't expect any Marvel-style tags at the very end here.
Wardroper looking back at the film including their positive memories
of Hemmings (despite his tendency to resort to alcohol to cope with shyness), the presence of his wife Gayle Hunnicutt who gave birth during the shoot, and the shooting of the very intense, nightmarish squash court scene. An original 1958 recording of the radio play (73m1s) is fascinating to compare to the film, especially with its much older main character who's fresh from military service here; not surprisingly, it's also quite a bit less extreme. Finally you get the original trailer (faded but nice to have in HD) and a gallery of 140 images(!) featuring tons of stills, poster art, and some great production photos including a few revealing how they pulled off that impressive pre-credits sequence. The package also come with a double-sided fold-out poster featuring the original poster art and a new design by Eric Adrian Lee, reversible sleeve art, and an insert booklet with new essays by Kevin Lyons and Oliver Wake.