
least respected of the three feature films credited to British director Michael Reeves
during his very short life, this U.K.-Italian co-production proved to be a reliable programmer on double and triple features thanks to its quick running time. Released in the U.S. as The She Beast (sometimes paired with The Embalmer), the U.K. as Revenge of the Blood Beast, and Italy as Il lago di Satana (Satan's Lake) and La sorella di Satana (Satan's Sister), it's a very shaggy riff on the "executed witch comes back decades later for revenge" formula, with the presence of Barbara Steele (brought in for only one very long day of shooting) making it a companion of sorts to her films for Mario Bava and Antonio Margheriti. This also marked the first teaming of Reeves and his regular leading man, Ian Ogilvy, which would lead to the much more acclaimed The Sorcerers and Witchfinder General.
Veronica (Steele) stop off at a bed and breakfast run by peeping tom Ladislav Goper (Welles) and have
an awkward lunchtime encounter with Von Helsing. Soon after, the couple's car veers into a lake and Veronica is transformed into the monstrous Vardella, who's bent on wiping the descendants of those who wronged her.
First released on U.S. home video on VHS by Gorgon, The She Beast was an infamous eyesore
for decades with its scope compositions brutalized by some of the ugliest pan-and-scan transfers ever inflicted on human eyes. That didn't do much for the film's reputation either, with numerous gray market labels slapping it onto budget collections on VHS and DVD for years
by dubbing maestro Nick
Alexander (including a Steele soundalike). The one extra here is "A Bloody Journey to Italy" (28m30s), an audio interview with Steele about her time in Italy working with Fellini, enjoying great food, and crossing paths with figures like Bava and Riccardo Freda after her early days establishing a career in London. In 2024, Radiance Films added this to its slate of Raro Video U.K. titles with a greatly expanded and welcome special edition Blu-ray featuring the same solid scan, LPCM 2.0 mono English and Italian audio (both English SDH and English-translated subtitles are offered), and the audio commentary. The Steele interview is ported over here, but you also get two new featurettes starting with an Ogilvy interview featurette (12m57s) about his entry into acting, his friendship with Reeves, his hiring by Maslansky, the weird shooting arrangement with this being sold to the government as a documentary, and his less than stellar opinion of his performance quality here. Also included is a new interview with the always great Kim Newman (19m32s), who starts off contextualizing an infamous Reeves-Vincent Price anecdote and then parses out the strange place of this film in the history of the genre and the careers of everyone involved. The limited edition package also comes with an insert booklet featuring an essay by Kevin Lyons.