
flip side to the wave of classic teen
movies that defined the 1980s, River's Edge is loosely inspired by a true crime event and marked a very sinister turn for director Tim Hunter in his third film, following the more genteel adolescent stories of Tex and Sylvester. The first-time script by Neal Jimenez (Hideaway) proved shocking to many viewers when the film came out at the height of the "Just Say No" era when the worst thing most parents could imagine was teens having sex or smoking pot. Instead audiences got a jarring tale of young apathy and dysfunction that had its roots in juvenile delinquent films and the earlier masterpieces Over the Edge and Out of the Blue, here taken to macabre extremes with the most realistic, lingering depiction of a cadaver seen in mainstream cinema to that point.
themselves, with some
assuming it's a practical joke. Confronted with the grim reality instead, they don't go to the police but instead go into various forms of denial or attempt to help cover up the crime. In the process they pull others into their orbit including local pot dealer Feck (Hopper), and soon they are all spiraling towards an outcome that may be as shocking than the crime that started it all.
followed later that year by an expanded U.K. edition from Signal One featuring the commentary, a filmed intro (7m51s) and Q&A (24m31s) with filmmaker Richard Linklater from a screening at the Austin Film Festival that can be
played separately or in tandem, and the theatrical trailer. In 2019, Austrian label Camera Obscura ventured outside of its established Euro-cult pattern by giving the film a new special edition, porting over the commentary and trailer but otherwise outfitting with substantial new extras. Roebuck appears for the new interview featurette "Livin' on the Edge" (52m) with in-depth recollections about being part of the young cast and experiencing the film's enthusiastic public reception, while cinematographer Frederick Elmes is interviewed in "Under the Bridge" (33m20s) about his own professional history, his career intersection with Hunter, and the intended look of the film reflecting the emptiness of the young characters. A German theatrical trailer and image gallery are also included. Audio options on the disc include LPCM English and German 2.0 stereo with subtitle options in both languages (you haven't lived until you've heard Crispin Glover dubbed in German), and though all three discs are taken from the same MGM transfer, this is the strongest of the three with deep black levels and the most generous bit rate; the Signal One is the closest to it in appearance, with the U.S. disc looking a few notches brighter and flatter by comparison.