Color, 1983, 90 mins. 20 secs.
Directed by John Wilder (Enzo Doria and Luigi Rosso)
Starring Mark Gregory, Andrea Goldman, Ángel Alcázar
Severin Films (Blu-ray) (US RA HD) / WS (1.85:1) (16:9)


The sword Adam and Eveand sandal craze in the '80s that swept both America and Europe produced some deeply strange films, but nothing else out there is quite Adam and Evelike Adam and Eve, better known on the tape-trading circuit as Adam and Eve vs. the Cannibals. Yep, it's a psychotic retelling of that famous opening book of the Bible filtered through the sensibilities of Yor, the Hunter from the Future. In fact, that film's score by Guido and Maurizio De Angelis gets recycled here a bit along with major chunks of their work for Alien 2: On Earth, so we're clearly a long way from your average devout biblical epic. Plus it stars Italian action favorite Mark Gregory in his second role, following the immortal 1990: The Bronx Warriors and the same year he also appeared in Escape from the Bronx and Thunder.

After a stock footage-filled creation sequence, we're introduced to the solitary Adam who, rather than losing a rib, sculpts a female form out of the sand which quickly transforms into his companion, Eve (one-shot actress Goldman). They live in a peaceful idyll for a while until a snake shows up and tempts Eve to eat a forbidden apple, with Adam and EveAdam following suit. Cast out, they don some very skimpy coverings and embark on an adventure somehow left out of Adam and Evethe Bible involving green-color men, cavemen, other humans (which raises a lot of questions), a big bear suit, multiple disasters, and a fight with a pterodactyl partially achieved through footage from One Million Years B.C. before humanity is set on the path that led to where we are today.

Obviously this isn't a film you're going to see at Bible camp any time soon, with the filmmakers throwing out one insane surprise after another. Neither of the leads have to do much in the acting department, and for an early '80s Italian film, it's fairly discreet when it comes to the sex and nudity (especially compared to another film it's obviously aping to some extent, The Blue Lagoon). That leaves plenty of room for other random goofiness involving crazy wigs, fluffy prehistorical body coverings, that incredible stiff bear fight, and a brief love triangle that interrupts the action for a few minutes. A favorite of Italian trash connoisseurs since it turned up on VHS in the '80s from TWE, this is truly one of a kind.

Finally brought back into circulation as a Black Friday 2025 announcement from Severin Films after years of lousy Adam and Evepseudo-public domain options, Adam and Eve has been transferred from the original negative bearing the on-screen title Adam and Eve: The First Love Story. A very funny opening text Adam and Evecard implies an arduous process of salvaging the very degraded and problematic source material, and whatever devout prayers and technological magic were involved, the results are gorgeous with some minor baked-in damage here and there barely even registering. Extra points for the packaging synopsis which credits this as being from "an original story by God." The film bears a Dolby Stereo credit at the end, but as with other titles like Hell of the Living Dead, there hasn't been anything out there to back that up; in any case, the DTS-HD MA 2.0 mono English and Italian options here both sound very good and come with optional English translated or SDH subtitle options. Either way you'll get an earful of that theme song, "My First Love" sung by Tania Solnik (which gets played about a dozen times), not to mention the "primitive languages created by John Gaiford." Special features include the English theatrical trailer and "Forbidden Cut" (21m21s) with editor Gianfranco Amicucci talking about the decline of Italian cinema as the '80s went along, his gig on this film thanks to The Shark Hunter, the casting of the very polite Gregory (Doria "thought he'd look good in a fig leaf") who had a very sad life after leaving films, the major budgetary constraints, his multiple projects with the De Angelis brothers, and the editing challenges of working with stock footage and DIY special effects.

Reviewed on January 25, 2026