JOHN CHARLES


TRAVIS CRAWFORD


BRUCE HOLECHECK


NATHANIEL THOMPSON

  • BEAUTY AND THE BEAST (Criterion): Hope of seeing a pristine version of the finest fairy tale fantasy ever made seemed to vanish thanks to the whims of film preservation (and lack thereof), but against the odds a gorgeous version of Jean Cocteau's essential classic finally surfaced. From Walt Disney to Angels in America, this blend of the monstrous and the poetic still influences pop culture on a mass scale strangely acknowledged by very few. Magical extras, too.
  • BLUE SUNSHINE (Synapse): One of the greatest drug horror films ever made gets revitalized by Synapse, restoring the icy chill to a low budget gem lost for years in video oblivion. Scrappy, scruffy, and very vicious, this disturbing coda to the flower power generation remains a cautionary tale for free-living kids who think tomorrow never comes. And you'll never look at a shaved head the same way again. Extra points for throwing in the soundtrack CD.
  • THE DIABOLICAL DR. Z (Mondo Macabro): Pete Tombs' international DVD outfit really came into its own in 2003 with a spree of outrageous oddities from around the world, but the biggest news was this refurbished presentation of one of Jess Franco's best films (and yes, smart alecks out there, that really does count for something). Gorgeous black and white photography, multiple language options (finally!), and snazzy bonus material make this one of the best Eurocult releases in the format's history.
  • ERASERHEAD (David Lynch): Foolishly available only online, David Lynch's industrial nightmare of fatherhood, twitching chickens and wriggling spermatazoa looks like a dream (albeit a really scary one) on DVD. Not surprisingly, the extras and menus are just as eccentric as the feature film. Overpriced to be sure, but hard to pass up for those who don't despise it.
  • THE HILLS HAVE EYES (Anchor Bay): Another much-needed restoration, courtesy of Anchor Bay. Wes Craven's rabid, full-throttle assault on American family values is still one hell of a ride, and anyone who's suffered through scratched-to-hell theatrical prints and lackluster video copies will be amazed at this DVD. Thankfully the film still looks a little rough around the edges as any '70s 16mm film should; a perfect example of how grindhouse aesthetics can still thrive in the digital age. A whole disc of amazing extra goodies, too.
  • THE HONEYMOON KILLERS (Criterion): The other end of the Criterion spectrum. The ultimate killer couple movie gets the prestige treatment and still hasn't lost any of its bite. Darkly funny, brutally violent, and sinfully entertaining, this perfectly acted and directed gem deserves more than its enduring midnight movie status. Special kudos for one of the best text supplements ever put on DVD, an illustrated history of the real criminals who inspired this one-of-a-kind masterpiece.
  • IMAGES (MGM): Robert Altman's chilling psychological horror cult favorite languished in some video netherworld for decades before its unlikely rescue from MGM, who outfitted this stylish chiller with some nice bonus features. Amazing scope photography from Vilmos Zsigmond, a fragile-as-porcelain performance from Susannah York, and John Williams' creepiest score make this a must for the cultured horror fan.
  • MONDO CANE COLLECTION (Blue Underground): Bill Lustig and company singlehandedly overhauled international film history with this sprawling video chronicle of Gualtiero Jacopetti and Franco Prosperi, two documentary filmmakers who pioneered a film genre and blurred the line between art films and tasteless trash. Grotesque, pandering, heartfelt, challenging, and infuriating barely describe the films on view, but the only word for this collection is "exemplary." The great feature-length documentary would be enough, but also included are two wholly different Italian cuts for Africa: Blood and Guts and Goodbye Uncle Tom which reveal a completely different experience, never before beheld by most trash-loving eyes.
  • SCRAPBOOK (Sub Rosa): They're tougher to find since the rise of Blockbuster, but extreme horror films with great acting and writing are still out there. Case in point: this take-no-prisoners tale of a woman and her serial killer captor, told with an unflinching eye for detail and one of the horror genre's best female performances in recent memory. Definitely not for all tastes, but this is the subgenre's most important addition since Henry: Portrait of a Serial Killer.
  • NEKROMANTIK 2 (Barrel): This seriously nasty sequel combining gorehound excess with Euro arthouse pretension is still a tough nut to crack, but Barrel's lavish DVD makes it easier for viewers with a surprisingly rich transfer and a bounty of fluid-soaked extras. More audacious and ambitious than its predecessor, this tale of a love triangle in which not all of the participants are still alive is guaranteed to clear a room at your next family reunion.
LEE WILLIAMS
  • THE BLOODY JUDGE (Blue Underground): It was a huge year for Jess Franco fans and this was Blue Underground’s most significant contribution. The longest, most colorful and best of all versions of this Witch Hunt gem, the DVD is overflowing with worthwhile extras and informative Tim Lucas penned liner notes.
  • BLUE SUNSHINE (Synapse): Synapse Films gives Jeff Lieberman’s LSD freakfest the kind of attention it always deserved with this shining double platter release. There’s some brilliant stuff here outside the movie, including the cool Lieberman short film “The Ringer” and a full soundtrack CD. Nice one, Don!
  • DEATH BED: THE BED THAT EATS (Cult Epics): What in the world? Thank you Cult Epics for rescuing this “lost” gem from the celluloid scrapheap--a truly beautiful and lyrical slice of bygone era regional American Horror. Even better, this film has a great dark sense of humor.
  • DORIANA GREY (VIP): One of Franco’s best gets a face slappingly pristine restoration by Erwin Dietrich. The quality of the transfer on this thing is enough to make you weep!
  • EMMANUELLE IN AMERICA (Blue Underground): The filthiest of all “Emmanuelle/Emanuelle” movies--and arguably the most entertaining. Presented here fully uncut and lovingly remastered, to a standard that I’m sure surpasses any original theatrical screenings.
  • MONDO CANE COLLECTION (Blue Underground): This jawdropping eight-disc set--I know, I’m still trying to comprehend its size too--floored me the moment it arrived in my hands. Everyone responsible for its existence should be beyond proud with the end result. If you’re reading this and don’t own a copy yet, what the hell’s wrong with you?
  • ROSSA VENEZIA (X-RATED): The most underrated of all Germany’s neo-horror’n’sex filmmakers, Andreas Bethmann, here gives the world what it’s always needed--a 155 minute genuine Porno-Giallo, complete with cameos by Jess Franco and Lina Romay--don’t worry, they keep their clothes on! Released as part of a huge--I mean it, the box is like 2ft. by 1ft.--four-disc set, you get a XXX t-shirt, a plot-less hardcore version of the movie, a plot-only version of the movie, a disc of extras and the full blown 155 minute hardcore’n’all version. Fantastic!!!
  • SEVEN WOMEN FOR SATAN (Mondo Macabro): This sadist Euro-Sex creation completely blind-sighted me, packed to the rafters with *cough*cough* arousing scenes of Sadean nakedness and pumping Prog-Rock, what’s not to like? Mondo Macabro does it again!
  • A VIRGIN AMONG THE LIVING DEAD (Image): Yep, another Franco makes my list--I said it was a great year. This time it’s a Franco approved version of his magnificent and thoughtful ode to death and dying. The film has never looked better and once again Tim Lucas provides some appropriate and informative background info.
  • WOMEN IN CELLBLOCK 9 (VIP): Franco piles on more bare-ass and perversion than you can imagine in this, one of his meanest and nastiest Women-In-Prison flicks. Again, this was restored to a ridiculous level by Erwin Dietrich and the folks at VIP.

  • HONORABLE MENTIONS
    ALUCARDA (Mondo Macabro)
    ASSAULT ON PRECINCT 13 (Image)
    BABA YAGA (Blue Underground)
    BLOODLETTING (Tempe)
    BONE (Blue Underground)
    BRUTES AND SAVAGES (Synapse)
    CAPTAIN KRONOS, VAMPIRE HUNTER (Paramount)
    THE CHEERLEADER COLLECTION (Anchor Bay)
    DAY OF THE DEAD (Anchor Bay)
    DEAD AND BURIED (Blue Underground)
    DEATH WALKS AT MIDNIGHT (Mondo Macabro) (UK)
    THE EMMANUELLE COLLECTION (Anchor Bay)
    ESCAPE FROM NEW YORK (MGM)
    FASSBINDER'S BRD TRILOGY (Criterion)
    GOD TOLD ME TO (Blue Underground)
    HAPPINESS OF THE KATAKURIS (Chimera)
    THE LIVING CORPSE (Mondo Macabro)
    THE LORD OF THE RINGS: THE TWO TOWERS (Extended Edition) (New Line)
    THE MEATRACK/STICKS AND STONES (Image/Something Weird)
    NAKED LUNCH (Criterion)
    OLGA'S HOUSE OF SHAME / OLGA'S DANCE HALL GIRLS / WHITE SLAVES OF CHINATOWN (Something Weird/Image)
    THE OMEGA MAN (Warner)
    Q  THE WINGED SERPENT (Blue Underground)
    REVENGE OF THE NINJA (MGM)
    THE ROMAN POLANSKI COLLECTION (Anchor Bay) (UK)
    SALON KITTY (Blue Underground)
    SCARFACE (tricked-out, ghetto fabulous imitation red-satin and money-clip boxed-set version only) (Universal)
    SNUFF (Blue Underground)
    SPACE IS THE PLACE (Plexifilm)
    THE SPAGHETTI WESTERN COLLECTION (Blue Underground)
    THE TENANT (Paramount)
    THE THIRSTY DEAD / SWAMP OF THE RAVENS (Something Weird/Image)
    VAMPYRES (Blue Underground)
    YOKAI MONSTERS trilogy (AD Vision)



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